Listowel Writers' Week Fringe

Blogging Listowel's Literary Scene

Pauline Frayne’s poem on J B Keane

July 22, 2009 By: Paul O'Mahony Category: creative writing, historical, participants, poem, poet, poetry

Pauline sent this poem in a comment to a piece by Mattie Lennon. So that it get the audience it deserves, I’m posting it in a page of its own.

A Farewell for John B Keane

It is four ten a.m.
on the morning after your funeral
and a litany of birds
broadcast a requiem of grace notes
over the mourning town
as I try to negotiate
a straight line
between the Square and Charles Street.

Finally finding the right angle to the corner
I meet your pensive gaze
from a photograph in Landys’ window
and understand
why you once barred me
for not drinking,
while Mary,who held the keys
said softly
‘Don’t worry , you’ll be alright tomorrow’

Pauline Fayne .
(from ‘I’m Fine Really
Stonebridge Publications 2005

John B Keane by Mattie Lennon

July 15, 2009 By: Paul O'Mahony Category: connections, historical, photographs, poem, storytelling

John B. Keane By Mattie Lennon (August 2007)

“He’ll be elected all right if he gets the Jewish vote in Lyreacrompane”.

One of the many memorable quotes of the late John B.

John B. Keane was born in Listowel on Saturday 28th July 1928. He was fourth in a family of five boys and four girls. Those who knew him in later life were surprised to learn that he didn’t speak until he was three.

As a child, living in the town, he had a great love of the countryside. In “Self-Portrait ” he says, “Always as a small boy I had a longing to go to the mountains, particularly on sunny mornings when the air was fragrant and the skies were blue”.

Towards the end of his life I interviewed him for my radio programme, “The Story and The Song”.

He told me about how he was dispatched “on the Creamery lorry” to his relatives in the Stacks Mountains during the summer holidays.

” . . . I was dropped off at the Ivy Bridge which for me was to turn out a magic bridge, because the minute I crossed over that bridge I became a new man. I began to know something about country people. And they had a beautiful language, all of their own; half Irish, half English . . . and when that was fused with the language of Elizabeth . . . it became a beautiful language altogether, with great range. You’d never be stuck for a phrase or a word. It’s such a beautiful language. I was never as happy as when I was up there. If I hadn’t crossed the Ivy Bridge on that day long ago . . . I wouldn’t have been a writer”.

He met and observed some very interesting characters in the Stacks. He told a story about a German named Karl Gutthind who acted as technical advisor to Bord na Mona and,

“When the second World War came he left for Germany. The Russians, I’m sure, must have been surprised at his Lyreacrompane accent and wondered what strange business a Stacksmountainman might have in Stalingrad. He gave me a small flashlight which I swapped a week later for ten Woodbines . . . “

Writing was to become his life. One early experience would probably have turned a lesser person against the pen. During an elocution class in school each pupil was asked to recite a poem. John B. recited “Church Street” which was his own composition. When asked who wrote it he replied,

I did Father“. ” . . . there followed the worst beating of all and ejection from the class”.

During school holidays he worked at many jobs from fowl-buying to toiling on a farm in Wicklow.

He wrote a one-act play, “The Ghost of Patrick Drury” which was performed on the top floor of the Carnegie Library, Church Street, Listowel.

After leaving school he worked as a Chemist’s Assistant in his native town for five years. When he said that he wanted to be a writer and that he was going to England his boss pointed out a fact that John B. was to fully agree with later in life, ” It’s as easy to write here as there”.

It was about this time that, with Stan Kennedy, he started a local Newspaper, The Listowel Leader. The first edition sold 960 copies. There was no second edition simply because the Editorial, in the first edition, told the truth about some local Councillors.

Prior to the 1951 General Election he set up a fictitious political party, the Independent Coulogeous Party, complete with a fictitious candidate, Tom Doodle, who appeared in Listowel.

(It’s a long story but if enough readers petition the Editor I may be permitted to tell it in a future edition)

During Writers’ week 2007 a life-size statue of John B. was unveiled in the small Square, Listowel by his friend Niall Toibin. (John B’s son, Billy, told me, with true Keane solemnity, that “the statue moves at night”

And this year a limestone monument by Kerry Sculptor, Padraig Tarrant was unveiled in the European Garden by Oscar-winner Brenda Fricker.

(left)Billy Keane with father’s statute

The following is by no means a comprehensive list of his works but it gives an idea of his prolific output:

Sive (first staged 1959)

Sharon’s Grave (1960)

The Highest House on the Mountain (1961)

No More in Dust (1961)

Many Young Men of Twenty (1961)

Hut 42 (1962)

The Man from Clare (1962)

Seven Irish Plays (1967)

The Year of the Hiker

The Field (adapted later as a film of the same name starring actor Richard Harris)

Big Maggie


The Crazy Wall

The Buds of Ballybunion

The Chastitute


The Matchmaker


The Bodhran Makers


The Contractors

A High Meadow

Letters of a successful T.D


Love Bites

Owl Sandwiches

I was always fond of quoting from his works and once when I was spouting a piece from “The Chastitute” the motley gathering listening to me shooting my mouth off thought I was making a boastful autobiographical utterance. The line in question was, ” I was seduced by a sixty-two year old deserted wife when I was fifteen. After that auspicious beginning I never looked back”.

While he could be hot-headed in matters such as Gaelic football, in the area of understanding the shortcomings of others and forgiveness he was out on his own. Didn’t one of his Characters in “The Bodhran Makers” point out that no man should be penalised because he had an industrious penis? He laughed heartily when a person, who hadn’t seen “Sive” condemned it on the grounds that, “‘Tis all about bastards isn’t it?”

During Writer’s Week 2002 I walked behind the coffin of this, the humblest of men, who only wanted to be remembered as..” . . the player who scored the winning point in the North Kerry Intermediate Football Final against Duagh in 1951“.

I was moved to take up my pen and make a feeble effort to commemorate him:


By Mattie Lennon.


Before you went you told us not to cry.

On that sad night.

“Let the show go on” you said and then “goodbye”.

We shouldn’t question why you had to die

Before you went you told us not to cry

As Writer’s Week had opened,

For it’s thirty-second year,

Where poet and peasant mingle

To absorb Listowel’s good cheer.

A cloud crossed hill and valley

From Carnsore to Malin Head,

As news went ’round our island

“The great John. B. is dead”


He who walked with King and beggar

Will lift his pen no more,

To bring out the hidden Ireland

Like no one did before.

He banished inhibitions

To put insight in their stead.

The world stage is brighter

But The “Kingdom’s King” is dead.

The dialogue of two Bococs

Is known in every town.

Now the Ivy Bridge links Broadway

To the hills of Renagown.

While men of twenty emigrate

And Sharon’s Grave is read,

Or a Chastitute ‘s forlorn

His memory won’t be dead.


They stepped out from the pages

Of The Man From Clare and Sive

To walk behind his coffin

Each character alive.

His Soul, with One-Way Ticket

To The Highest House has sped,

And this world has lost a genius;

The great John. B. is dead.


Copyright Mattie Lennon 2002

(Put to music by John Hoban.)

Photographers in Listowel in 2007 : a Mattie Lennon piece

June 12, 2009 By: Paul O'Mahony Category: connections, photographs, Reflections

Photographic Memories

By Mattie Lennon

Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man. Edward Steichen

Ever since Joseph Nicephore made the first permanent picture with a camera, in 1826, photography has been evolving as an art form. But a different and separate one, unrelated to any other.

In the words of Berenice Abbot,”Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself”.

Saint John’s Arts and Heritage Centre

For the month of September, Saint John’s Arts and Heritage Centre (a former Church) in Listowel, will be home to the works of two Kerry-based photographers Tom Fitzgerald and Dillon Boyer.

Seeing how the ordinary can become extraordinary, in a frame, one is obliged to concur with the words of Elliot Erwitt, “ . . .Photography has little to do with the things you see and everything to do with the way you see them.”

Dillon Boyer

DILLON BOYER who was born in Kent, England, has been interested in photography for almost sixty years. He was a member of Tunbridge Wells Camera Club where he won many prizes within the club and nationally. On retirement, drawn to the landscape and opportunities for portraiture in the Kingdom, he and his wife Mary moved to Listowel.

He was a founder member of Listowel Camera Club with John Stack. Under Dillon’s guidance it went on to become a major camera club within the Irish Photo scene, winning the National Shield in the mid-nineties, and also hosting the event in 1995.

Dillon has won National Medals in the Nature category on two occasions in the 90′s. He is also an accomplished Video and wedding photographer. The Canon is his favourite camera.

Tom Fitzgerald

TOM FITZGERALD, a native Kerryman, has being interested in photography since the mid sixties when, as a young man, he started taking photos with a Kodak instamatic camera. He bought his first SLR camera, a Pentax K500 in 1974 and graduated to Nikon in the eighties.

He was a reluctant convert to digital but won’t now travel (even to the shop) without his Digital Nikon SLR. A member of Listowel CC almost from its foundation, Tom has an extensive collection of photos of local people and places as well as prize shots from further afield.

And his indexing system is just as baffling, to me, as quantum Physics. If you want a pictorial record of a moment frozen in time, be it a First Communion in 1970, Mount Brandon shrouded in mist, or Bill Clinton putting in Ballybunion, the image is produced in seconds.

This is one Kerryman who doesn’t answer a question with a question.

Your query about that shepherd’s cottage backlit by the rising sun will elicit a comprehensive account of the topography of that burgage, with the unpronounceable name, in the Scottish Highlands. And what about the shot of the two ponies on Glenbeigh strand? That was taken on Sunday the nineteenth of August 1979, when the wind was blowing from the east and Seefin illuminated by a waxing moon.

Landscape (“the supreme test of the photographer”) features largely in the exhibition and includes the fruits of Tom and Dillon’s many trips to Scotland and England. And appropriately enough the exhibition (Which is supported by North Kerry Together Limited), is titled “Near & Far”.

Sunset at Kerry Head

I attended the opening and it’s amazing the snippets of information the camera-illiterate such as myself can pick up at such a gathering. Amid terms such as “Chromatic aberration”, “Macroscopic”, “Reciprocity failure” and “Tonal range” I learned that the first photograph taken in Ireland was in 1848 and was of Young Irelander Patrick O’Donohue.

Glen Inchaquinn

David Hockney said, “ All you can do with most ordinary photographs is stare at them”. Well, these are not ordinary photographs and if you are in or near Listowel during the next month you call to Saint John’s and you can browse, buy or both.

Waterville Lake

J B Keane meets Mattie Keane on Grafton Street, Dublin

June 06, 2009 By: Paul O'Mahony Category: connections

One of the great results of publishing this blog is that it’s given a platform on which people can share stories, inspired by the experience of Listowel Writers’ Week. We are delighted to have received this one by email from Mattie Lennon.

Mattie Lennon By Mattie Lennon.

Les bons pauvres ne savent pas que leur office est d’exercer Notre gererosite.
The poor don’t know that their function in life is to exercise our generosity. (Jean-Paul Sarte)

The first time I met the late John B.Keane was in Grafton Street, in Dublin. He was being ushered Brown-Thomas-ward by his spouse. And cooperating fully: unusual for a husband. I accosted him to say thanks for his prompt reply when I had written to him shortly before requesting information for an article I was writing….

We were about thirty seconds into the conversation when an adult male with a lacerated face, and looking very much the worse for wear, approached me. The polystyrene cup in his outstretched hand proclaimed that he would not be offended by a donation.

I contributed 20p (I think). Ireland’s best-known playwright turned his back, (I’m sure he picked up the gesture in the Stacks Mountains as a young fellow) extracted a substantial amount and gave to the needy.

I then thought that a man, who had written about everything from cornerboys to the aphrodisiac properties of goat’s milk, could enlighten me on an enigma, which I had been pondering for decades.

You see, dear reader, if I were talking to you on a public thoroughfare anywhere in the world, and a beggar was in the vicinity, he would ignore you, as if he was a politician, and you were a voter after an election. But he would home in on me. I don’t know why. Maybe, contrary to popular opinion, I have a kind face. Come to think of it, that’s not the reason. Because I have, on many occasions, been approached from the rear.

Many a time in a foreign city my wife thought I was being mugged. When, in fact, it was just a local with broken, or no, English who had decided to ask Mattie Lennon for a small amount of whatever the prevailing currency was. Maybe those people have knowledge of Phrenology and the shape of my weather-beaten head, even when viewed from behind, reveals the fact that I am a soft touch.

However, a foreman gave a more practical explanation to the boss, on a building site where I was employed many years ago. The site was contiguous to a leafy street in what is now fashionable Dublin 4. Those from the less affluent section of society used to ferret me out there. Pointing a toil-worn, gnarled, forefinger at me, the straight-talking foreman, Matt Fagen, explained the situation to the builder, Peter Ewing, a mild mannered, pipe-smoking, kindly Scot:

“Every tinker an’ tramp in Dublin is coming to this house, an’ all because o’ dat hoor……because dat hoor is here…an’ they know he’s one o’ themselves”.

I was relating this to John B. adding, ” I seem to attract them”.
To which he promptly replied;” (calling on the founder of his religion). You do”.
The reason for his rapid expression of agreement was standing at my elbow in the person of yet another of our marginalized brethren with outstretched hand.
So, the best-known Kerryman since Kitchener left me none the wiser as to why complete strangers mistake me for Saint Francis of Assisi.

And salutations such as “hello” or “Good morning” are replaced by “How are ye fixed?”, “Are you carrying” and, in the old days, “Have you a pound you wouldn’t be usin’ “?

I do not begrudge the odd contribution to the less well off and I am not complaining that I am often singled out as if I was the only alms-giver. Come to think of it, it is, I suppose, a kind of a compliment.

Sometimes I say ; “I was just going to ask you”, but I always give something and I don’t agree with Jack Nicholson who says; ” The only way to avoid people who come up to you wanting stuff all the time is to ask first. It freaks them out”. Those unfortunate people are bad enough without freaking them out.

Of course there are times when it is permissible not to meet each request with a contribution. I recall an occasion in the distant, pre-decimal days when a man who believed that, at all times, even the most meager of funds should be shared, approached my late father for five pounds. When asked ; ” Would fifty shillings be any use to you?” he conceded that yes, half a loaf would be better than no bread. Lennon Senior replied; “Right. The next fiver I find I’ll give you half of it”.

Of course, none of us know the day or the hour we’ll be reduced to begging. In the meantime, I often thought of begging as an experiment. But I wouldn’t have what it takes. Not even the most high powered advertising by Building Societies and other financial establishments can restore my confidence, to ask for money in any shape or form, which was irreparably damaged when I asked a Blessington shopkeeper for a loan of a pound nearly forty years ago.

He said: “I’d give you anything son….but its agin the rule o’ the house“. I wonder was he a pessimist. It has been said that you should always borrow from a pessimist; he doesn’t expect it back.

Well recently I was in a restaurant when a work colleague texted me asking to borrow a small amount of money……he was seated two tables away.

As JFK said in his inaugural speech: ” If a free society cannot help the many who are poor, it cannot save the few who are rich“.

I don’t know about the rich but I have learned one thing about the poor; BEGGARS CAN BE CHOOSERS.

Mattie Lennon’s true story: Billy Keane features

June 04, 2009 By: Paul O'Mahony Category: blogs, events, historical, participants, short story, Street drama

Mattie Lennon & Billy Keane

Mattie Lennon & Billy Keane

Cash for Ashes

Man, when he burns, leaves only a handful of ashes. no woman can hold him … “? (Tennessee Williams)

A celebrity hit the headlines recently when he stated publicly that he had snorted his father’s ashes. He gained further publicity when he denied it. Jokes about spilled urns are legion but how many people think about the commercial side of it? I know I didn’t until about a year ago.

It was the Friday of Writer’s Week 2006. I was walking up William Street, Listowel, minding my own business when I was accosted by one William Joseph Keane, (AKA Billy Keane) publican, journalist, author, raconteur, comedian and entrepreneur.

After I had congratulated him on the publication of Moss Keane, The Last of The Heroes and his most erudite newspaper articles in the Irish Independent, he said, “Matt” (he always drops the “ie” because he says Matt is the opposite to gloss). “Matt” says he ” you are logical, methodical and mathamathecal and you must have people and survival skills since you have managed to stay on the pay-roll of Dublin Bus for more than thirty years. I have a busines s proposition for you “.

It turned out that he had come up with the idea of building a crematorium in Lyracrompane and he wanted me to be his business partner. He had even settled on a name for the project, The Pyre in Lyre.

In tones more stentorian than soft I set about convincing him that a mobile crematorium would be a better idea (have you ever tried convincing a Keane about anything?)

Listen” says I, “Kerry has held an almost permanent lease on Croke Park for most of the twentieth century, has a thriving tourist industry since the Famine (if not before it) and now you have Fungie and John O’ Donoghue. You produced Brendan Kennelly, Kitchener and Paudi O’Shea”. (I didn’t, at the time know that they were going to send Micko Dwyer up to Wicklow).? “And now” says I, “you want to locate the only crematorium outside Dublin in Kerry?”

I did lower my voice on spotting the arrival of Dublin poet Martin Delany. Martin has a, Bronte like, penchant for writing about graveyards and I didn’t want to upset his sensitivities. After all a man who commemorates the faithful departed in iambic parameter mightn’t favour their being reduced to ashes by conflagration. He believes they should spend eternity under a weathered tombstone.

I pointed out to Mr.Keane that although I was familiar with all the writings of his father, the late John B., I couldn’t find any reference in his works to the incineration of the dead.

He burned midnight oil writing about wakes, funerals, grave digging and other allied activities but not a word about cremation.

I asked him where he got the idea for the crematorium from but he was abruptly and conveniently distracted by the arrival of two visiting literary heavyweights. Frank McCourt and Clive James arrived on the scene. (Whatever about the apparel proclaiming the man it doesn’t appear to reveal anything of his background; the man from a rain-sodden Limerick sported an open, short-sleeved, shirt while the affable Aussie wore a buttoned up leather jacket).

After their departure I continued with my pitch and I could see that he was weakening and we finished up shaking hands on the partnership. His parting shot, in true cute-hoor-Kerryman fashion, was “OK, you do the research on it and get back to me”.

When I heard about the hullabaloo about the proposed Poolbeg Incinerator, I set the wheels turning straight away by writing to the Department of the Environment to ask what, if any, restrictions and regulations governed the operation of a Mobile crematorium.

While I was waiting for a reply I made some enquiries about the necessary equipment needed for the project, hereinafter referred to as the MC.

I found out that in the USA Patent 6729247 has been taken out on aforementioned invention.The following jargon is used:

“The mobile crematorium comprises: a first combustion chamber, wheels, and a trailer hitch. The deceased remains are then heating in the first combustion chamber to a temperature of at least thereby creating combustion gases and non-combustible materials. The combustion gases are allowed to exit the first combustion chamber and the non-combustible materials are removed and placed in a storage device such as an urn.

“The incinerator comprises a first combustion chamber with a first combustion source and a second combustion chamber with a second combustion source. Combustion of the deceased occurs in the combustion chamber. Gases created by the first combustion are further combusted in the second combustion chamber.”

It is possible to disguise the MC (mobile crematorium) as a boat, being towed, or as the designer puts it, “… the incinerator provides the visual perception of a ship… The flue may be utilized with additional chambers for further combustion or they may be aesthetic.

I think I have a better idea for this part of the world. Why not use a tractor to tow it and disguise it as a threshing mill? I’m sure P.J. Murrihy wouldn’t object to me writing a bit of a parody on “The Old Thrasing Mill” to use as a jingle.

Further technical tips are given about the construction of the MC: “Typical insulators comprising oxides of silicon, calcium, and magnesium with lower levels of aluminum and iron oxides are particularly suitable for the present invention.”

After weeks, having not received a reply, I wrote to the Department of Environment again. That’s several months ago and at the time of writing there’s not a word from Dick Roche. Since silence gives consent and there appears to be no restrictions or regulations on the construction and/or operation of a MC the way is clear, apart from getting permission from the inventor a striking a deal with a firm of bodybuilders.

I started kicking around a few ideas about a name; something catchy. Then John Cassidy, a Donegal Undertaker, pointed out to me that funeral directors and those in allied professions, who deal with the departed, do not use trade names, but family names to advertise their business. I told him that I wouldn’t mind having “Mattie Lennon” or even “M.J.Lennon” in foot-high letters on the side of an ice-cream van or the fleet of a Plaster-moulding company but I’d prefer not to have my moniker on something as sombre as a MC vehicle.

It doesn’t have to be your own name. Where are you from?” says he.

Wicklow” says I.

And what is the most common surname in Wicklow?” says he.

Byrne”, says I.

There you have it” says he “C.U.BYRNE.”


first published on Hyperlinks added on this blog by Paul O’Mahony

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